Dinda Prasetyo

@heydin_ai on X

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Indonesian AI filmmaker behind the fantasy short SKYLAND.

AI Filmmaker | @adobe @elevenlabs Ambassador | Partners: Runway, Kling, Hailuo, Freepik, Capcut, TopazLab, Openart, Dreamina and More

Joined December 2012

Followers: 6.8K
Videos here: 12
Avg views / video: 36.5K
Avg likes / video: 180
Likes per follower: 2.6%
Total views: 438K

Sci-fi & fantasy Short films

CapCut ElevenLabs Freepik Kling Luma/Ray Midjourney Nano Banana Seedance

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Videos by Dinda Prasetyo

I made this luxury fashion ad with CapCut PC. Four looks. Three serpent worlds. One plastic room. Faces hidden until the very last beat. It all started in CapCut Video Studio with the Luxury Ad Maker skill, then got finished in the CapCut PC editor. Assets, Prompt, and workflow in the comment bell

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In AI filmmaking, control is everything. Video models rarely put the camera where I want it, so I blocked this whole car chase first in Morphic's 3D Scene Editor. I staged the cars, cast the drivers as red and blue mannequins, and set the camera move second by second. Then I used that blocking vide

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IRONWOOD is officially entered in Season 2 of the @chromaawards AI Film & Media Competition! If you enjoyed it, a vote would mean the world to me. Thank you for being part of this journey. Made with Seedance 2.5, Music El

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Don’t buy a car yet. Seriously, wait until you see this one. I made a full commercial for a flying car that doesn’t exist (yet), using just @capcutapp PC. Here’s my workflow: Prepare your product and character images Open Video Studio and go to Skills → Marketing → Twist plot ad Set it to Vide

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GATOTKACA: Bones of Iron 🔥 Born of fire. Forged in the heart of a volcano. When Prabu Boma Narakasura and his ogre generals, Lembusura and Suratimantra, rise to bring the heavens to ruin, the gods have no warrior left to send… except one. From the burning crater emerges Gatotkaca, the son of Bima.

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I made my own font. With AI. In CapCut. 🤯 No design software, no type foundry, no 3 years of practice. Just a reference photo, a short description, and one tap. This is the font I built for my next film title card and yes, you can make yours too. Here's how ↓ Tap Text → Add text Tap Fonts → My font

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IRONWOOD (1838) At the centre of the forest on Uluhaya stands an ironwood older than the tribe that lives beneath it. The Kaluwai call it Tuha Ulu, the Elder. In 1838 a timber company arrives with red paint, iron stakes, and a permit signed by a kingdom that has never walked this forest. They don'

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Tenzin | Film Trailer Tenzin is sent by his master, Dorje, to train alone on a snow-covered Himalayan peak, mastering his power to summon obsidian from the earth. His training is cut short when a monstrous creature wakes and slams the ridge. A brutal fight breaks out: obsidian strikes, a failed pin

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What if an entire AI Short Film could be born from just one single image? This AI short film, LEGACY, was crafted through an image-to-video pipeline with Kling 2.5 Turbo, transforming a single MidJourney frame into a cinematic experience. Tools used: Base image @midjourney , Nano Banana on @Adobe Fi

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SKYLAND | AI Short Film Fantasy Skyland is an AI-powered fantasy short film that takes you on a breathtaking journey with Aeryn Solveth and his loyal flying fish. From soaring above the futuristic city of Cybryne to returning to his homeland of Eryndor, Aeryn’s adventure is filled with wonder, imagi

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Maybe I sound a bit over the top, but @LumaLabsAI Ray 3 really is pretty amazing when it comes to fight scenes. like a samurai sword fight. Let’s do a little comparison, shall we? For scenes like this, it’s definitely tough for AI video models, so I personally still understand if a lot of tools can

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I’m pretty amazed that I was able to generate this clip with @LumaLabsAI Ray 3 in @Adobe Firefly. Honestly, I didn’t expect it to turn out like this. it’s actually one of my favorites from my early experiments with Luma Ray 3. Creating fight scenes with AI feels so much more possible now.

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