17:42Backrooms Nemoris S1E01: It Eats Light I've spent the last six months working in secret on this pilot episode for a new Backrooms canon. We premiered this week in Toronto and a it's now available on all platforms: a new Magnific Originals series! This is quite possibly the most complex project I'vJLJavi Lopez ⛩️1.4MX
0:44I Made a multi-million dollar Aztec film at home with Seedance 2. The hype is real! Historical filmmaking will never be the same. Thank you to @YouArtStudio for the early access!IRIsaac Rodriguez1.1MX
5:14This is System Sleep. 🎸 Made with Seedance 2.0 and Kling 3.0. But making this actually started almost 20 years agoMMetaPuppet95KX
0:30Another @Hailuo_AI H3 test, this time looking at audio reference and performance (A little NSFW language on end of this one!). I recorded the dialogue as an audio track and fed that in as a reference with a image reference of the man. In the text prompts I gave some direction to the actor (Like theUAUncanny Harry AI15.4KX
1:27Constraints used to make our choices for us. For fifteen years directing real sets, half my job was hearing "we can't" : no budget, no permit, no way. The limits decided which stories got told. That wall is gone now. Any idea can be previsualized in an afternoon. All of them. At once. And honestlyJFJulien Prevost｜AI Filmmaker8KX
0:30If this is where things are today, what will next year’s Super Bowl ads look like? We’re entering a very different creative era. As AI lowers the technical barrier this fast, ideas matter more than ever. I joined Dreamina AI CPP and got early access to use Dreamina Seedance 2.0. Dreamina SeedanceMMetaPuppet2.2KX
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