0:44I Made a multi-million dollar Aztec film at home with Seedance 2. The hype is real! Historical filmmaking will never be the same. Thank you to @YouArtStudio for the early access!IRIsaac Rodriguez1.1MX
0:59This might be the best synthetic performance I have got from a video model. We can generate 30-second shots and create near seamless extensions (with a bit of post blending) for far longer sequences, powered by @seedance 2.5. I set out to test this out by making the scene below all-in-one shot.UAUncanny Harry AI61.2KX
1:33The Cleaner 3 Looks like The Cleaner has a Sister... and she's just as bad ass... Taking a break from production on a Friday night to experiment with Kling 4.0 and see how it cuts in with Seedance 2.5. Should I make a sequel to my Cleaner series?DCDave Clark16.3KX
1:27Constraints used to make our choices for us. For fifteen years directing real sets, half my job was hearing "we can't" : no budget, no permit, no way. The limits decided which stories got told. That wall is gone now. Any idea can be previsualized in an afternoon. All of them. At once. And honestlyJFJulien Prevost｜AI Filmmaker8KX
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