1:52What if Studio Ghibli directed Lord of the Rings? I spent $250 in Kling credits and 9 hours re-editing the Fellowship trailer to bring that vision to life—and I’ll show you exactly how I did it 👇🏼PAPJ Ace13MX
2:08Making commercials and films with AI isn’t just exciting — it’s the future. That said, the hardest part isn’t the technology, it’s finding people you genuinely love working with, and sharpening your storytelling skills. Those two things will never be replaced by “clicking buttons.” The fundamentalJCJordan Daniel Chesney104KX
1:23This is the trailer for a 24 minute AI short film I made. Characters - Chat GPT Script - Me and Chat GPT Video Creation - Higgsfield MCP + Claude Ai Editing - CapCut proFFinaltouch39.7KX
0:30They told me to stay in the bakery. They said a "nobody" from an "unknown country" couldn't build a global franchise. So I used AI to build it anyway. This is the teaser for PRIMALKIN. Every frame was authored to prove one thing: Talent is global, even if the industry wasn't. Thanks @freepik for tCChris4KX
2:12If you intercepted a live audio feed of your brother’s final moments exactly three minutes before they happened... what would you do? ⏱️🎙 You only get one second chance to change the future. Watch DEAD AIR.HHabeeb841X
0:09I want to confess something. I made a Samurai Jack fan edit with AI once. Felt wrong internally. Deleted it. That feeling taught me something. — First came cameras. Then editing. Then CGI. Every new creative tool changed what stories we could tell. Generative AI arrived. And people put Iron Man in iKMkishan Boriya (Ikigai Media)712X
0:08The ruins of the Old World aren't empty. First look at the bio-mechanical apex predators of PRIMALKIN. High-fidelity world-building from the mossy tundras of the North. Produced by Zero-One Studios using tools on @magnific .CChris578X
1:521:52
2:08
1:23
0:05
0:30
2:12
0:09
0:45
0:081:522:081:230:050:302:120:090:450:081:522:081:230:050:302:120:090:450:08